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For the Love of Canines

October 22, 2022 - August 27, 2023

Exhibition open October 22, 2022 – August 27, 2023

Wild canines, including foxes, coyotes, and wolves, have held significant social and cultural meaning to humans worldwide throughout history. However, there are conflicted emotional opinions regarding these familiar predators.  Foxes, for example, while prized for their beauty and their cunningness, are despised for preying on smaller livestock and poultry, such as chickens and ducks. Coyotes, a canine species native to North America, nearly brought to extinction during western settlement, are also part of some Native cultures’ cosmologies. Sometimes considered a creator, Coyote might also be wicked or a buffoon. Of all wild canines, wolves have perhaps caused the most dread historically. Feared by ancient farmers to present day ranchers, wolves that at times prey on sheep, cattle, and other domestic animals, have also been known to kill humans. Alternatively, the famous Etruscan sculpture of La Lupa Capitolina (The Capitoline Wolf) from the fifth century BCE depicts a she-wolf caring for twins, Romulus and Remus, who founded city of Rome. Still, the one thing that all wild canines have common is a genetic relation to our own much beloved domestic dogs.

For the Love of Canines questions humans’ relation and fascination with canines, whether love or loathing, through works of art from NMWA’s permanent collection.

Carl Rungius (Germany, 1869 – 1959), Red Fox, 1933. Oil on canvas. 30 x 40 inches. Jackson Hole Preserve, National Museum of Wildlife Art. © Estate of Carl Rungius.
Ken Carlson (United States, b. 1937), Wolf, 1988. Oil on board. 23 x 35 inches. JKM Collection®, National Museum of Wildlife Art. © Ken Carlson.
George Catlin (United States, 1796 – 1872), Buffalo Hunt, White Wolves Attacking, 1848. Hand-colored lithograph. 12 x 17 3/4 inches. JKM Collection®, National Museum of Wildlife Art.
Robert Bateman (Canada, b. 1930), Mesa Verde – Coyote, 2004. Acrylic on panel. 24 x 36 inches. JKM Collection®, National Museum of Wildlife Art. © Robert Bateman.
William Gollings (United States, 1878 – 1932), The Call, 1910. Oil on canvas. 14 ½ x 10 ½ inches. JKM Collection®, National Museum of Wildlife Art.
Frank Tenney Johnson (United States, 1874 – 1939), Coyote Moonrise, c. 1920. Oil on canvas. 30 x 40 inches. JKM Collection®, National Museum of Wildlife Art.
Robert F. Kuhn (United States, 1920 – 2007), Sly Fox, 1990. Acrylic on board. 8 x 14 inches. Gift of Eliza and Tom Chrystie, National Museum of Wildlife Art Collection. © Estate of Robert F. Kuhn.
Terrance Guardipee (Blackfeet, b.1968), Black Wolf Society, 2020. Oil stick on antique ledger paper. 19 x 36 inches. Gift of the 2020 Blacktail Gala, National Museum of Wildlife Art. © Terrance Guardipee.
Alfred Wierusz Kowalski (Poland, 1849 - 1915), A Pack of Wolves, n.d.. Oil on canvas. 36 1/2 x 48 5/8 inches. On Loan from William G. Kerr, National Museum of Wildlife Art.
Robert F. Kuhn (United States, 1920 – 2007), Desert Harmony. Acrylic on board. 16 x 32 inches. Gift of John and Saralynn Geraghty and the RSGBK Foundation, JKM Collection®, National Museum of Wildlife Art Collection. © Estate of Robert F. Kuhn.
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Western Visions® 2024

Through September 29, 2024

Western Visions® is the National Museum of Wildlife Art’s largest and longest-running fundraiser and is one of the signature events of the Jackson Hole Fall Arts Festival.

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Full Circle: An Exhibition of Community Creation, Curation, and Collaboration

Through September 29, 2024

This exhibition invites the community to be inspired by or re-interpret one of four works from NMWA’s permanent collection. Not only will the exhibition be comprised of works created by community members–it will also be curated by the community. The pieces selected from the submissions by a team of community curators will be displayed in the Wapiti Gallery alongside the inspiration prompt pieces from the permanent collection during the summer and fall of 2024.

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What People Are Saying
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