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Andy Warhol: Endangered Species

May 17, 2017 - November 5, 2017

The Andy Warhol Endangered Species portfolio was commissioned by the art dealers Ronald and Frayda Feldman. The idea for the portfolio was born after conversations they had with Warhol about ecological issues, including beach erosion. Warhol owned beachfront property on Long Island, and undeveloped acreage in Colorado. Today, the loss of habitat and biodiversity are urgent topics as the impact of development reaches critical thresholds. Warhol’s 15-acre beach is now The Andy Warhol Preserve, a gift to The Nature Conservancy from The Andy Warhol Foundation for the Visual Arts. While Warhol is best known for his Pop art and films, his interest in nature was life-long. As a child he drew animals in science class at Holmes School, kept a flower garden in the family’s yard, and drew in Schenley Park and Phipps Conservatory. In college, he went to the zoo in Highland Park to draw. Later in his life Warhol created his Cow and Fish Wallpaper, the film Sunset, and hundreds of paintings, prints, and drawings of flowers.

Andy Warhol Endangered Species Events
Opening Day: Tuesday, May 16, at the 30th Anniversary Party
Mix’d Media: Thursday, July 20, 6–9 p.m.

Andy Warhol (American, 1928-1987), Endangered Species Portfolio, 1983. Screenprint. 38 x 38 inches. Gift of the 2006 Collectors Circle and an Anonymous Donor and the NMWA Acquisitions Fund, National Museum of Wildlife Art. ©The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS) New York/Ronald Feldman Fine Arts, New York.
Andy Warhol (American, 1928-1987), Bighorn Ram, 1983. Screenprint. 38 x 38 inches. Gift of the 2006 Collectors Circle and an Anonymous Donor and the NMWA Acquisitions Fund, National Museum of Wildlife Art. ©The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS) New York/Ronald Feldman Fine Arts, New York.
Andy Warhol (American, 1928-1987), Black Rhinoceros, 1983. Screenprint. 38 x 38 inches. Gift of the 2006 Collectors Circle and an Anonymous Donor and the NMWA Acquisitions Fund, National Museum of Wildlife Art. ©The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS) New York/Ronald Feldman Fine Arts, New York.
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Staff Picks

Through May 10, 2026

Curating this exhibit has been an exercise in collaboration, which is one of our core values at the Museum. We began by asking each staff member to make a short list of some of their favorite works in the collection. Then, the curatorial team took them to see a few of those pieces. We asked the staff to look for artworks that were not already on display and would not be part of any upcoming exhibitions. A person’s taste in art is so uniquely personal and individual to who they are. This exhibition is not only an opportunity for you to get to know our staff, but it is also a chance to discover new pieces in the permanent collection—or perhaps to see old favorites in a new light.

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Two of a Kind?

Through April 26, 2026

This exhibition is an exercise in comparison. It invites visitors to consider pairs of artworks, drawn primarily from the Museum’s permanent collection, and contemplate the question posed by its title: are these artworks truly Two of a Kind?

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What People Are Saying
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"The most fabulous gallery that we have ever seen and enjoyed. Highlighting the plight of our animal kingdom is so important! "
— Nancy H.
"One of the most amazing museums I have ever visited. Everything—not just art, is amazing. "
— Elizabeth C.
"Phenomenal gallery! Exquisitely curated! Must-see highlight of our trip. P.S. Lunch was also delicious!"
— Jen R.
"Amazing collection of art. This is truly a special place!"
— David L.
"Absolutely incredible! We will be back!"
— Sebastian D.
"Love the variety of art, the historic documentation, and how attitudes changed and developed about wilderness and wildlife. Plus, wonderful interactive areas!"
— Bill S.
"Lunch was fab - the trout po' boy and lettuce wraps, wow!"
— Pamela Ann S.
"This is one of my happy places. I stop here every time I'm in Jackson."
— Monica M.