Circle of Animals
May 9, 2015 - January 3, 2016
Internationally acclaimed Chinese contemporary artist Ai Weiwei has reinterpreted the 12 bronze animal heads representing the traditional Chinese zodiac animals that once adorned the famed fountain-clock of the Yuanming Yuan, an imperial retreat in Beijing. The National Museum of Wildlife Art is honored to be bringing Ai Weiwei’s Zodiac Head World Tour to Wyoming after exhibitions in Mexico City, Chicago, London, Toronto, New York, Washington, DC, and Los Angeles.
Designed in the 18th century by two European Jesuit priests serving in the court of the Qing-dynasty Emperor Qianlong, the 12 Chinese zodiac animals originally functioned as parts of a water clock-fountain sited in the magnificent, European-style gardens of the Yuanming Yuan. In 1860, the Yuanming Yuan was ransacked by French and British troops, and the heads were pillaged. In reinterpreting these objects on an oversize scale, Ai Weiwei focuses attention on questions of looting and repatriation, while extending his ongoing exploration of the “fake” and the copy in relation to the original.
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Staff Picks
Through May 10, 2026Curating this exhibit has been an exercise in collaboration, which is one of our core values at the Museum. We began by asking each staff member to make a short list of some of their favorite works in the collection. Then, the curatorial team took them to see a few of those pieces. We asked the staff to look for artworks that were not already on display and would not be part of any upcoming exhibitions. A person’s taste in art is so uniquely personal and individual to who they are. This exhibition is not only an opportunity for you to get to know our staff, but it is also a chance to discover new pieces in the permanent collection—or perhaps to see old favorites in a new light.
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Two of a Kind?
Through April 26, 2026This exhibition is an exercise in comparison. It invites visitors to consider pairs of artworks, drawn primarily from the Museum’s permanent collection, and contemplate the question posed by its title: are these artworks truly Two of a Kind?
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