Living Legends II, with a Special Tribute to Bob Kuhn
December 14, 2019 - August 30, 2020

Living Legends is dedicated to recognizing the strong tradition of contemporary wildlife art that continues to thrive today. Artists like Robert Bateman, Ken Carlson, Sandy Scott, and Ken Bunn, among others, have been key players in the history of this Museum, and in what many people think of when they think about wildlife art.
Since the Museum opened in 1987, the work of living artists has been an essential part of the collection. Living Legends is a revolving series of installations with new artwork presented each year honoring the work of these artists who have meant so much to us. Traditional works will be complemented with contemporary pieces, and older artists alongside younger up-and-comers… all part of the ever-evolving permanent collection of the National Museum of Wildlife Art.
This year, in honor of the 100th anniversary of Bob Kuhn’s birth, the exhibition includes a special selection of three paintings by Kuhn that have never before been exhibited at the Museum. Kuhn was a mentor to many living artists, and the world of wildlife art would not be what it is today without his enormous contributions to the field.
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Staff Picks
Through May 10, 2026Curating this exhibit has been an exercise in collaboration, which is one of our core values at the Museum. We began by asking each staff member to make a short list of some of their favorite works in the collection. Then, the curatorial team took them to see a few of those pieces. We asked the staff to look for artworks that were not already on display and would not be part of any upcoming exhibitions. A person’s taste in art is so uniquely personal and individual to who they are. This exhibition is not only an opportunity for you to get to know our staff, but it is also a chance to discover new pieces in the permanent collection—or perhaps to see old favorites in a new light.
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Two of a Kind?
Through April 26, 2026This exhibition is an exercise in comparison. It invites visitors to consider pairs of artworks, drawn primarily from the Museum’s permanent collection, and contemplate the question posed by its title: are these artworks truly Two of a Kind?
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